Dr. Voth, a recently
jilted professor, finds a manuscript, Confessions of the Fox, about
the life of Jack Shepard, a legendary eighteenth century thief. Voth
becomes obsessed with researching the life of Shepard and annotating
the manuscript.
P was a young,
orphan girl initially sold to a maker of tufted footstools. She
escaped and teamsedup with Bess, a prostitute, who introduces her to
the dark side of London. P falls madly in love with Bess and begins
her transformation into Jack Shepard, a notorious thief.
Dr. Voth is also a
transgender man which explains some of his obsession with Jack’s
story. Voth’s story is told through footnotes to Confessions of the
Fox. The footnotes start out dryly academic, but as the work
progresses they become more unhinged. In addition to his work on the
manuscript, Voth is caught in an academic drama where a large
pharmaceutical company is trying to take over the university.
If you’re familiar
with Brecht’s Three Penny Opera, you will have a head start on
understanding this somewhat arcane book. The story of Jack is the
centerpiece of the novel, but as Voth becomes more upset, the
footnotes threaten to take over. This is not an easy format to enjoy.
You’re trying to keep two story lines going, but one is told only
through footnotes. I think it would have been simpler to tell the two
stories in alternating chapters.
This story will
appeal to you if you’re interested in eighteenth century history,
transgender roles, and academia. If you’re disturbed by overt sex,
curse words, and slang terms for genitalia, you may not enjoy this
book.
I received this book
from Net Galley for this review.